Ooops I Did It Again Barbie
"I'd love to be like Barbie," Emmy Rossum as Angelyne says in the Peacock serial of the same name. "She lives a painless existence. Yous can stick her with things and she won't cry, she doesn't hurt. Wouldn't that be nice, never to hurt?"
Angelyne, a mystery adult female who in the 1980s turned herself into an icon by producing billboards with her own paradigm all over Los Angeles, may come across as a and so-called bimbo—a bleach-blonde babe who dresses like a Bratz doll—simply she bargains like a lawyer and self-promotes like an influencer "Since I was a little girl, I've known that fame is my destiny," she coos. "Huge, gigantic fame."
Rossum found Angelyne when she was a little girl, looking for her ain destiny. "I was 13, in L.A. for the beginning time in a Hertz rental car with my mom, auditioning for pilot season, and I looked out the window of the rental motorcar and I saw her billboard," she tells Glamour. "I was so struck by her paradigm. I saw a adult female who was cute and provocative and empowered in her body, certainly in all of the ways that I did not understand my ain feminine power at the fourth dimension."
Rossum had questions. "I started request people, 'Who is Angelyne?' and they would all light up and say, 'Oh, the billboard queen?' And they would tell me a completely different story about her," she says with a express joy. "That'south what was so fascinating to me: the enigma. How could yous exist and so known and yet then unknown at the same time?"
Emmy Rossum in Angelyne on Peacock
Rossum as Angelyne
PeacockAngelyne, which drops its offset of v episodes this week, is Rossum's brainchild, a xiii-year-onetime daughter'southward fantasy developed with an adult woman's perspective on functioning, self-presentation, and mythmaking. With help from series creator Nancy Oliver, showrunner Allison Miller, and a robust hair and makeup team that included a "contact lens technician" and multiple prosthetics artists, Rossum transformed into Angelyne, a woman for whom faux is authentic. Rossum took off the Angelyne mask (or more specifically, wig, bodysuit, lenses, and breast plate) and talked nigh the outfits she loved almost, being a role model for her baby girl, and that Tom Kingdom of the netherlands historic period controversy.
Glamour: The testify tries to reply the question: "Who is Angelyne?" Who is Angelyne, in your words?
Emmy Rossum: Angelyne rose to fame at a time in the '80s when all these billboards popped up about her, which and so seemingly multiplied overnight until at that place were hundreds and hundreds. This was a time before the internet, where you could really define yourself, curate your ain image in a way that maybe completely bankrupt abroad from the historical facts of your by that might have defined you. She is part Old Hollywood Marilyn Monroe, part punk-rock Barbie doll, part Gandhi spiritual guru, all in a kind of Howdy Kitty, Easy-Bake oven. And she drives effectually in a pink Corvette. Everything about that is fascinating to me.
Angelyne's dream is to be seen, to exist famous, to exist cute. Isn't that sort of what actors desire? Did you relate to her in any mode?
No, not specifically. The mode that I consider interim is your ability to completely transform into other people and to channel things. What Angelyne did was the opposite of that. She's not trying to exist different people. Angelyne believed—and believes—that she put her inside on the outside and that is the most authentic presentation of herself. For me, she is kind of the original influencer, a person who is very, very committed to the preservation of that image, who wanted to stoke mystery and encourage the enigma and never dispelled rumors about herself because she knew it further fueled the tumbleweed of that fame.
For me, fame is something that happened because of my work; fame was something that Angelyne says in her ain words she sought because she wanted "the dear of the world." I think we're seeing that in social media more and more than now when we literally "like" something by double-tapping and sending love, putting hearts on it. Angelyne is a trailblazer in a lot of ways. But there is a lot of authenticity—some people might see her makeup and pilus and a put-on voice, but I actually recall Angelyne has constitute her more than authentic self and is committed to that. She turned her life into living, animate performance art.
Enough of people have seen Angelyne's billboards and idea she was setting women back, hurting the cause of feminism. But yous and the show seem to brand the case that her commodification of her body is a type of empowerment.
Angelyne is, in her own words, a mirror. Whatever we see in her, that's what she is. That's what an icon serves to do. If we see somebody that is a feminist, that'southward what she is. For me, she is incredibly empowered in her trunk. Although she projects a provocative image, she is incredibly in command of her body and her paradigm. She knows that people will underestimate her based on her advent, especially in a patriarchal society, and I retrieve she uses that to her advantage in every room she walks into. And Angelyne, different men like Hugh Hefner who had all these backup women, was supported by a bandage of characters who were all male. They were dedicated to furthering her cause and loved her in a completely platonic fashion, and she did zippo to dispel any of the rumors that might take contradicted that because she knew information technology just furthered her mystique. She knew that was her ability.
What was the physical transformation like for this part?
And then fun. As an actor, when you spend so many months and years perfecting a walk and a voice and imagining the emotional modalities of a character and then yous have a team at this level of artists who become to work on you and and then they spin you around in the chair and you don't recognize yourself, there'south a complete liberation and ability to give yourself completely to fantasy, imagination, and graphic symbol.
Emmy Rossum in Angelyne
Rossum as Angelyne
PeacockDid you have a favorite look?
Everything. Honestly, every day I was similar, "Okay, this is my favorite outfit." Then I would descend from a pinkish moon in a rhinestone tiara and think, This is my favorite outfit. And then there would be a chetah number, and then a '60s number, so space boots and other fantastical elements that I won't ruin. Every morning when I saturday down in a chair, nosotros had a pink magic wand that was battery operated that would make a sparkle racket, and we would bless the day's hair and makeup.
Did you keep annihilation?
Some wigs and an Angelyne Halloween costume that we made for my and then six-month-old girl.
Angelyne describes herself every bit "a piece of artwork." As an histrion, exercise yous feel that pressure level to make yourself a slice of artwork?
To be honest, I think I did at ane time. But I recall my journeying to embrace my natural hair texture, to embrace myself for myself, is not only spurred on past wanting to be the authentic me for my very, very immature daughter who's most to be a twelvemonth sometime. Likewise, at the end of the twenty-four hours, I'm an actor. I'yard not an influencer. So my focus is not on dazzler and way, although those are some of the more escapist parts, the Cinderella moments. You're more likely to find me in jeans and a Madewell T-shirt in my house, cooking a lamb-chop for my kid, and covered in yogurt than me worrying how I expect walking my dog downward the street. I also volition say for any young adult female reading this that, if you're embracing who you are, whether the inside of yous feels dissimilar than the outside, I would become for it. I applaud anyone who wants to get with your accurate self because I call up in that location is beauty in authenticity.
Y'all're set up to play Tom Holland's mom in The Crowded , even though you're just nine years older than him. At that place was a pretty big outcry well-nigh this—can you talk near that?
Sure—I understand the involvement in the questions and the lack of information that surrounds the character at this indicate. For me I can say: It's an incredible role, it'southward an incredible team, and I'm actually aging in both directions. So I know that it makes sense, and I hope that when people see information technology, they like it. But sure, I saw all of that. I tin sympathize how with the lack of information that surrounds it they could call up…but again, I'm aging in both directions. And so similarly to this part, Angelyne, it's a stretch in both directions.
Nosotros want to meet you and Tom together onscreen—we just want to make sure they're treating you okay!
I feel adept about it!
Jenny Vocaliser is a staff writer for Glamour. You can follow her on Twitter.
Originally Appeared on Glamour
Source: https://www.yahoo.com/lifestyle/emmy-rossum-transformed-punk-rock-200000795.html
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